Where to find St. Peter's Monsters, a novel by Neva Bryan

St. Peter’s Monsters is available at these fine booksellers and retail stores: Joseph Beth, Lexington, KY; Family Drug, Lebanon, VA; Coffee Buy the Book, Pulaski, VA; Wise County Historical Society, Wise, VA; Zazzy’Z, Abingdon, VA; Coffee Depot, Christiansburg, VA; Binding Time Cafe, Martinsville, VA; Kraftin’ Korner, Lebanon, VA; Appalachian Arts Center, Wardell, VA; and Tales of the Lonesome Pine Bookstore, Big Stone Gap, VA.

It is available on-line at Amazon, Barnes and Noble, Books-a-Million, Powell’s Books, and Target, as well as in some stores in the chains. It is available through nevabryan.com.

You may order a signed copy via snailmail. Send $14.00 (plus .70 tax if in VA) plus $3.99 for shipping and handling to: Brighid Editions, PO Box 1428, Saint Paul, VA 24283.

Books are always available during the author’s appearances. See her calendar for an event near you.

Publication Date: February 2009

Price: $14.00

Length: 294 pages

Cover Style: 6″X9″ Color Trade Paperback

ISBN: 978-0-615-26391-5

LCCN: 2008910946

St. Peter’s Monsters is the story of Peter Sullivan, a homesick college student teetering on the edge of alcoholism. He discovers bigger monsters than the bottle when a mysterious young woman enters his life. Wren has fled Peter’s beloved Appalachian hills and now he must find out why she is keeping secrets about her past.

As they turn to each other for comfort, they are linked together in a chain of love, tragedy, and murder . . . a chain that binds them when they find themselves back in the haunted shadows of the Virginia coalfields.

Blacksnake

“Blacksnake.” Jimson Weed, vol. XXIV, new series vol. 8, no. 2 (Fall 2005).

Blacksnake

Coiled in my path like an ampersand.

My heart beats an ellipsis . . .
Punctuates the sentence of my original sin.

Serpent conjunction links me to my base nature.

What was beautiful about you before you came between
Adam & Eve?

The downside of technology in literary criticism

When author Alice Hoffman read Roberta Silman’s review of her novel The Story Sisters, the author was not pleased. The review wasn’t stellar but certainly it wasn’t crushing. Hoffman, however, chose to respond in less than gracious fashion.

She tweeted nasty comments about Silman and the Boston Globe, and published Silman’s e-mail and phone number. Apparently that last action was meant as a call to arms: Hoffman fans of the world, unite! Tell off this critic!

Having been a Hoffman fan for many years, I do not feel a sense of unity with any other fan who might have chosen to answer that call before the author withdrew the tweets and issued a tepid apologetic statement.

I’m more inclined to be less inclined to read any future Hoffman books. Had she played the proverbial wet duck, she would be a much more sympathetic figure. Instead, she comes off as a hothouse flower.

There’s a danger in using technology as reprisal. Sometimes it backfires. Anyone who’s ever made a drunken phone call to an ex in the middle of the night knows how it works. Technology used in the heat of the moment equals regret, regret, regret.

Book Signing: Coffee Buy the Book

I'll be signing copies of St. Peter's Monsters on Saturday, July 4 from 11 AM to 2 PM at Coffee Buy the Book, Pulaski, Va.

Autumn Sacrifice: a pantoum

Mara mentioned villanelles at Spoken Word last weekend. Here's a form I like: the pantoum.

It is a series of quatrains; the second and fourth lines of each stanza are repeated as the first and third lines of the next. This pattern continues until the final stanza, which differs in the repeating pattern.


AUTUMN SACRIFICE


Holy ghost mist
Walks on water
In morning’s sacred hour.
Autumn hovers above,


Walks on water
In reflections of the sky.
Autumn hovers above,
Mild, then meek, in wind.


In reflections of the sky
Leaves deny death.
Mild, then meek, in wind,
Branches scratch testaments.


Leaves deny death,
But frosty breath withers.
Branches scratch testaments.
Sun draws blood,


But frosty breath withers
Holy ghost mist.
Sun draws blood
In morning’s sacred hour.



“Autumn Sacrifice.” Poetry. 2006 Explorations, MECC, Third Place.

Cinquains

Cinquains are five-line poems popularized by Adelaide Crapsey. She did not invent the five-line poem, but instead re-invented it based on the simplicity of the haiku. One of the most common Crapsey cinquains follows this pattern: The first line has 1 word, the second 3, the third 5, the fourth 4, and the fifth 2.

Because it is so restrictive -- limiting the poet to few words -- the cinquain can be challenging. While the form is not a favorite in American poetry, it is lovely when mastered.

I wrote this cinquain a few years ago. It utilizes the word pattern 1, 3, 5, 4, 2 and the syllable pattern 2, 4, 6, 8, 2.

“Sumac.” Clinch Mountain Review (2006). Author: Neva Bryan. Editor: Warren Harris.


SUMAC

Sumac,
Fuzzy head bent,
Reminds me where I am:
Appalachia, backbone worn down
With grief.

We All Live Downstream: Writings about Mountaintop Removal

I'm excited to have my work appear in the book anthology We All Live Downstream alongside work by:

• Earl Hamner (creator of the Waltons)
• Ashley Judd
• Robert Kennedy Jr.
• Wendell Berry
• Bobbie Ann Mason
• Ann Pancake
• Jean Ritchie
• Silas House
• Hal Crowther
• Jeff Biggers
• Denise Giardina
• Pamela Duncan
• Many other fine writers and performers.

We All Live Downstream is a multi-genre anthology of noted authors and young writers speaking out against mountaintop removal coal mining. There is the fifth-grader who vows to fight the destruction until he's "laid in the ground," the college student who recalls her shock and heartbreak at first seeing a mountaintop removal site, the best-selling novelist who believes that "to destroy mountains is to spit in the face of God." This startling collection includes writers from 17 states and features material from celebrated artists and activists such as Robert F. Kennedy Jr., Wendell Berry, Earl Hamner, Ashley Judd, Silas House, Denise Giardina, Erik Reece, Bobbie Ann Mason, Bob Edwards, Penny Loeb, Hal Crowther, Jean Ritchie, Terry Tempest Williams, Jeff Biggers, Ann Pancake, George Ella Lyon, Ben Sollee and many more. Edited by journalist & activist Jason Howard (coauthor of Something's Rising), this book presents a rallying chorus of dissent against a reckless industry and drives home the point that energy (particularly domestic coal) is everyone's issue … not only at the source but all the way "downstream."

(www.MotesBooks.com)